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Crypto Collectibles, Museum Funding and OpenGLAM

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Crypto Collectibles, Museum Funding and OpenGLAM ( crypto-collectibles-museum-funding-and-openglam )

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Appl. Sci. 2021, 11, 9931 17 of 19 78. Pollock, D. Infamous Discarded Hard Drive Holding 7500 Bitcoins Would Be Worth $80 Million Today. Available online: https: //cointelegraph.com/news/infamous-discarded-hard-drive-holding-7500-bitcoins-would-be-worth-80-million-today (accessed on 9 August 2021). 79. Beery, T. Deep Dive into ZenGo Guaranteed Access Solution. Available online: https://www.zengo.com/a-deep-dive-into- zengo-guaranteed-access-solution/ (accessed on 9 August 2021). 80. Blackshear, S.; Chalkias, K.; Chatzigiannis, P.; Faizullabhoy, R.; Khaburzaniya, I.; Kokoris Kogias, E.; Lind, J.; Wong, D.; Zakian, T. Reactive Key-Loss Protection in Blockchains. In Proceedings of the Financial Cryptography and Data Security. FC 2021 International Workshops; Springer: Berlin/Heidelberg, Germany, 2021. 81. Wright, T. OpenSea Collector “Pulls the Rug” on NFTs to Highlight Arbitrary Value. Available online: https://cointelegraph. com/news/opensea-collector-pulls-the-rug-on-nfts-to-highlight-arbitrary-value (accessed on 9 August 2021). 82. Rusher, J. What Does It Mean To Buy a Gif? Available online: https://jackrusher.com/journal/what-does-it-mean-to-buy-a-gif. html?utm_source=sebchan&utm_medium=email (accessed on 7 April 2021). 83. Verisart About Us. Available online: https://verisart.com/about#about-us (accessed on 8 April 2021). 84. Gabeci, K. What Is Etherscan? Available online: https://medium.datadriveninvestor.com/what-is-etherscan-a86fd59336de (accessed on 4 June 2021). 85. Nelson, D. Even NYC’s Highfalutin Guggenheim Museum Is Looking at NFTs, Job Posting Suggests. Available online: https: //www.coindesk.com/even-nycs-highfalutin-guggenheim-museum-is-looking-at-nfts-job-posting-suggests (accessed on 8 April 2021). 86. Cuseum. Webinar: Discussing & Debating the Potentials of NFTs in the Museum Sector. Available online: https://cuseum.com/ webinars/discussing-and-debating-the-potentials-of-nfts-in-the-museum-sector-overview (accessed on 8 April 2021). 87. Jones, J. The Uffizi: The World’s Best Art Gallery? Available online: https://www.theguardian.com/artanddesign/ jonathanjonesblog/2009/sep/01/uffizi-museum-florence (accessed on 10 August 2021). 88. Young, A. Uffizi Gallery Turned a Michelangelo Into an NFT and It Sold for $170,000. Available online: https://mymodernmet. com/uffizi-gallery-michelangelo-nft-art/ (accessed on 10 August 2021). 89. Baydakova, A. Russia’s Hermitage to Sell Digital Copies of Art as NFTs. Available online: https://www.coindesk.com/russias- hermitage-to-sell-digital-copies-of-art-gems-as-nfts (accessed on 10 August 2021). 90. Charr, M. The Hermitage Museum Aims to Raise Funds in Russia with NFTs. Available online: https://www.museumnext.com/ article/museum-raise-funds-with-nfts/ (accessed on 10 August 2021). 91. The Whitworth. The Ancient of Days NFT. Available online: https://whitworth.vastari.com/theancientofdaysnft (accessed on 10 August 2021). 92. Kelly, K. Images of Works of Art in Museum Collections: The Experience of Open Access. Available online: http://msc.mellon. org/msc-files/Open%20Access%20Report%2004%2025%2013-Final.pdf (accessed on 30 July 2018). 93. Smithsonian Institution. Rights and Reproduction. Available online: https://siarchives.si.edu/what-we-do/rights-and- reproduction (accessed on 11 August 2021). 94. NPG. Reproducing Images from our Collection. Available online: https://www.npg.org.uk/business/images/use-on-web/ (accessed on 11 August 2021). 95. Bridgeman Images. About Bridgeman. Available online: https://www.bridgemanimages.com/en/9448/about-bridgeman (accessed on 11 August 2021). 96. Valeonti, F.; Terras, M.; Hudson-Smith, A. How open is OpenGLAM? Identifying barriers to commercial and non-commercial reuse of digitised art images. J. Doc. 2020, 76, 1–26. [CrossRef] 97. Moore, M. Museum Fees Are Killing Art History, Say Academics. Available online: https://www.thetimes.co.uk/article/ museum-fees-are-killing-art-history-say-academics-qhfwmdws6 (accessed on 13 March 2018). 98. Terras, M. Opening Access to collections: The making and using of open digitised cultural content. Online Inf. Rev. 2015, 39, 733–752. [CrossRef] 99. HM Government. Copyright, Designs and Patents Act 1988. UK Parliament, 1996. Available online: https://assets.publishing. service.gov.uk/government/uploads/system/uploads/attachment_data/file/957583/Copyright-designs-and-patents-act-19 88.pdf (accessed on 1 September 2021). 100. Evans,T.M.Cryptokitties,cryptography,andcopyright.AIPLAQ.J.2019,47,219–266. 101. Snowden,E.StayFree.Availableonline:https://foundation.app/@Snowden/stay-free-edward-snowden-2021-24437(accessed on 4 August 2021). 102. FoundationTermsofService.Availableonline:https://foundation.app/terms(accessedon4August2021). 103. GlobalArtMuseumGlobalArtMuseum’sAccount.Availableonline:https://opensea.io/accounts/GlobalArtMuseum(accessed on 8 April 2021). 104. Cascone,S.ACollectiveMadeNFTsofMasterpieceswithoutTellingtheMuseumsThatOwnedtheOriginals.WasItaDigital Art Heist or Fair Game? Available online: https://news.artnet.com/art-world/global-art-museum-nfts-1953404 (accessed on 20 April 2021). 105. Ryan,T.R.TinaRiversRyanonTwitter:“TheUsetheTitle“TheRijksmuseumCollection”andtheWebsiteLinkattheBottom Here Goes to the Rijksmuseum Website. I Would Love to Know if the @rijksmuseum Knows about This”. Available online: https://twitter.com/TinaRiversRyan/status/1370535266704838659 (accessed on 20 April 2021).

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