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Introduction ix upon itself. Having no in-built capacity for change and transformation it effectively contributes nothing to real evolutive progress. Implicit in this evolution towards higher perception and a new modus operandi is the necessity to think an octave higher, as Viktor Schauberger so often expresses it. Just how fundamentally we will have to change our way of thinking and acting to achieve this we have yet to discover, although the infor- mation contained in this book will provide many of the necessary keys. Once inserted into the lock of evolution, new as yet unimagined vistas will unfold themselves and can become manifest, provided the will and determination are present to enter upon them. But what it is that must change to permit this to happen? Basically it is a question of the geometrical system so familiar to us. This is the geometry of Euclid and essentially involves the elements of the straight line, circle and point, all of which are perfect forms and therefore unchanging. Such perfection requires no further input from external factors, nor can it productively interact with them and therefore these elements are sterile 'closed' systems. In terms of their physical appearance, these are the cylinders, spheres, wheels, straight shafts, pipes, flat surfaces, etc. in common use today. As transcendental con- structs, i.e. belonging not to the physical world but to the realms of mental ideation, these geometrical elements are physically 'unreal' and in their appli- cation to the physical world are therefore 'unnatural'. Consequently their use in the construction and operation of today's machines and the energies they produce are in discordance with Nature's laws. Steeped in the grandeur of Euclidean edifices over the last two millennia and the apparent appropriateness and suitability of Euclidean geometry for all purposes, we must now reappraise our unqualified acceptance of it, for it lies at the very root of our troubles. On earlier European structures the straight lines and hard edges were softened and made pleasing to the eye through their often exuberant embellishment. The Chinese on the other hand, versed in the art of geomancy, constructed their traditional buildings differ- ently, deliberately curving the profile of the roof. In their philosophy the straight line was the path preferred by dragons, the mythical personification of destructive power, whose violence could only be curbed by forcing it to move along curved paths. Intuitively the Chinese were aware that straight lines pro- voke and foster violent behaviour, a phenomenon on the increase world- wide. Since the beginning of the last century [1900s] there has been a rapid reduction of such visual complexity to one of virtual uniformity as this deco- ration has gradually been stripped away, reducing our built environment to a naked, stark and arid angularity. Concurrent with this unfortunate develop- ment, and aided and abetted by the direct application of such geometry, the supremacy of rational straight-line thinking increased at the expense of the intuitive, the beaching from w i t h i n , increasingly crippling our perception ofPDF Image | The Energy Evolution
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