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THE CONDENSING PRINCIPLE FOR LIFT Even for the readers familiar with borderland research, the thought of a stone floating on water is hard to accept. We have been taught that what goes up must come down and that there is no escape from gravity. But is it so? Gravity can only be efficacious where the envelope around the object, air or water, is lighter or thinner than the matter itself. Any object will start to hover as you compress, that is, condense, it s envelope. This is where Arch- imedes' law comes in. If we put an egg in a glass of water it will sink to the bottom. Now add salt to the water and when the salt is dissolved, the egg rises and surfaces. Where is the gravity effect? The water surrounding the egg has become more dense. The envelope can be saturated in more than one way to achieve uplifting. For example, on a cold winter night the water in mountain streams is cold and that makes it dense. When Dr. Jarl, M.D. studied at Oxford he had the friendship of a Tibetan student. Years later, during a journey to Egypt, he met his old friend again and was invited to spend some time in Tibet, which he did. One day his friend took him to a place near a clois- ter where construction was in progress. In a steep cliff, 250 me- tersabove ground there was a cave. Monks were busy building a wall on a small plateau in front of the cave. The spot could only be reached from the top of the cliff with the help of a rope. On the ground below lay a smooth, flat stone with a depression in its center, one meter across by 15 centi- meters deep. A stone block about 1x1 1/2 meters was put in the bowl. At a distance of 63 meters from the bowl 19 musical instruments (ragdongs) were placed side by side in a 90° arc The radius of 63 meters had been carefully measured. The instruments consisted of 13 drums and 6 trumpets. Eight of the drums were 1 meter wide and 1.5 meters long. Four were medium-sized, 0.7x1m. The only small one was 0.2x0.3m. They were made from thick sheet metal, 3mm thick, weighed 150 Kg each and one end was open. Behind the instruments stood a row of monks, as shown in the drawing on the next page. May-June 1983 RR, Page 17 -56-PDF Image | IMPLOSION by Viktor Schauberger
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