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76 Living Energies Here we come up against the long-held materialistically founded conviction that every creature on this planet evolved solely through processes of natural selection: that whatever shape, colour or form it has, is merely the result of accidental interactions and the influ- ences and demands of the environment in which it has to exist. Although natural selec- tion may play a certain role in the physical evolvement of the genetic base, any intelligent direction or control of evolution and develop- ment is totally excluded. Some creatures, fish, birds and flowers for example, are particularly breathtaking in their beauty, in the various proportions of shape and colour they embody, and seem to refute this hypothesis entirely. Their physical appearance is very hard to explain in terms of purely mechanistic and environmental demands. The intricate geometry and exquisite form of many flowers speak far more about inten- tion than random happenstance. The sheer magnificence of the peacock, for example, defies all rational explanation from a natural selective point of view. Its colour could not have evolved for purposes of concealment and self-protection, because the gleaming turquoise iridescence of its breast-feathers loudly declares its presence to all predators. Its tail too, with several superimposed layers of variously patterned feathers, capped with single quills upon which the famous 'eyes' flutter and sway, is difficult to construe as having evolved merely for the purposes of courtship. As far as the peahen's attraction to the male is concerned, it seems unlikely that one or two fewer layers of tail feathers would make much difference. So why all the layers? What, apart from increasing the diversity and majesty of life, is the purpose of a peacock, if not purely for the sake of introducing exquis- ite beauty into this world for the delight of those entities whose immaterial sensitivities can appreciate it in all its aesthetic splen- dour? How else would evolving human beings be able to develop any aesthetic sense or learn what beauty and proportion is unless some examples were provided for the purpose? Today new species are continually being dis- covered whose form, behaviour and other characteristics are totally suited - and with such perfection - to the surroundings in which they live. Each has its ecological niche, as it were, and fulfils a function contributing to the enrichment of the whole panoply of life and yet all this apparently happened by accident of Nature, a Nature, however, to whom we have ascribed certain laws. What formulated these sublime and mathematically elegant laws, if not some form of intelligence far beyond our own? For laws cannot evolve by accident or by themselves. What entity other than such as the ECI could have a high enough overview of affairs in order to perceive yet another space, yet another possibility, into which it could infuse new experiential life in the form of an ideally suited creative design? Let us try, therefore, to think at least one octave higher and instead of developing extremely complex theories based on the morbid logic of random interactions, let us entertain the notion that things are perhaps much simpler than we perceive, for as Albert Einstein is reputed to have stated, "The sim- pler a theory is, the more it is to the point". 1. The Secret Doctrine by H.P. Blavatsky, Adyar Ed.1971, Vol.1, p.71.-1971), Theosophical Pub. Ho., Adyar, India; 2. Ibid, Vol.1, p.333. 3. From list of Viktor Schauberger quotations in the Schauberger archives. 4. The Compact Edition of the Oxford English Dictionary, Oxford Univ. Press 1971. 5. Interplanetary Particles and Fields (diagram by Dan Todd), by James A. van Allen, © 1975 by Scientific American, Inc. 6. The Secret Doctrine above, Vol. 1, p.81. 7. Ibid, Vol.2, p.286. 8. The New Science of Life, by Rupert Sheldrake: Blond & Briggs, London, 1981. NotesPDF Image | Viktor Schauberger Work Explained
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