Viktor Schauberger Work Explained

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the timber and, secondly, it influences the form and character of the tree itself, depend- ing on whether it is a shade-demanding or a light-demanding species, all of which are also related to latitude and altitude as indicated in fig. 16.6. Since whatever we observe in Nature is a reflection as well as a product of a certain form energy, then trees are also a mirror of the quality of light that falls in their natural habitat. Not only do their various colours reflect those frequencies of light harmful to them, and thus not absorbed (repelled) but, as a rule of thumb, where the incident light has a greater proportion of high-frequency, high-energy, ultraviolet light, in other words hard light, the wood is soft. Conversely, where there is a greater preponderance of low-frequency, low-energy, infra-red, soft light, the wood is hard. We can observe this very clearly in Australia's native timbers, famous for their hardness. Because of the obliquity of the Earth's axis to the ecliptic (ca. 23°27"), the eccentricity of its orbit and Australia's posi- tion on the Tropic of Capricorn in the south- ern hemisphere, at perihelion (when the Earth is closest to the Sun - in January), the intensity of infra-red light is greatest as Australia experiences its high summer. This intensity is further augmented by the additional infra-red radiation resulting from Australia's semi-desert condition. Australia, along with other countries in the southern hemisphere, is therefore exposed to more intense infra-red light than their counterparts in the north, which experience more moder- ate conditions. There appears here to be a seemingly anomalous effect, however. In our awareness of light, we generally limit our consideration to the seven principal colours of the visible spectrum, which does not comprise a full octave in terms of frequency, proceeding upwards as it does from wavelengths of 740-390 nanometres (nm=l/l,000,000,000 metre) or frequencies of 4.3-7.5 x 1014 cycles per second (cps) or hertz (Hz) [8.6 x 1014cps would represent the full octave]. We cannot perceive the full spectrum of the octave in which light is manifested, because our eyes 16: Trees and Light 217 are only sensitive to the light frequencies lying between red and violet. We have no awareness of the light spectrum lying between violet and the higher octave of red, of which bees, certain other animals and insects seem to be aware. In terms of the frequencies themselves, there will be a point somewhere above violet, whose lower octave lies in the infra-red zone. When two systems are in an octave rela- tionship, two musical strings, for instance, they are in a direct resonant relation and the energy transfer between them is unimpeded. As their vibratory patterns are virtually iden- tical they therefore give rise to near identical forms and structures (see fig. 3.3 p. 43). So somewhere in the frequency spectrum an infra-red frequency may be in a direct octave relationship with an ultraviolet frequency. Thus, in some forests, at the equator for example, certain species of timber, such as balsa, have the softest wood of all. This sug- gests that the wood-quality-determining fre- quency has proceeded past the point where hardwoods are created and has re-entered the resonant conditions of the softwood- generating frequencies, although one full octave below, because balsawood is a magni- tude softer than the softest of normal soft- woods. Similarly, the colour of the new growth of many species of Australian timber has a peculiar hue, being comprised of a mixture of red, violet and blue, reflecting the necessity to resist the potentially harmful penetration of these various light frequencies. In Europe, on the other hand, where light conditions are completely different, with some exceptions (such as copper-beech), most new growth is light-green in colour. For the trees themselves and their relation to the various light zones, the location of the blue-to-ultraviolet zone of high-energy, high-frequency 'hard' radiation is related to both altitude and latitude; the lower the latitude, the higher the altitude and vice versa. That is to say that softwood species, such as pine, in the main are to be found at low altitudes in high latitudes, and at high altitudes in low latitudes. Conversely hardwood trees, with some exceptions, are

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