Viktor Schauberger Work Explained

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Viktor Schauberger Work Explained ( viktor-schauberger-work-explained )

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234 Living Energies Here a further parallel can be drawn be- tween human beings and trees on a more psychological, behavioural level. The shade-de- manding tree could be viewed as an introvert. Introverts are reserved and extremely sensitive to external influences. Their mode of expres- sion tends towards introspection, mental activ- ity (predominant development of the tree's crown) and they are inwardly preoccupied and absorbed. They need a certain shielding and protection, peace and quiet to develop to matu- rity and their full potential. The extroverts on the other hand are repre- sented by the light-demanders, the trees that can happily stand on their own, reflecting the extrovert's need for light and space around them. Their mode of expression tends towards the physically active, outward radiance (branch development) and they are less sensi- tive to their external environment. They need this outer interaction and exchange to grow. In other words, they are independent, outgoing individuals, who tend to be more capable of standing on their own feet without support. 17.4 Light-induced Growth Dendrology the branch of science related to the study of trees, is concerned with the analysis of the annual rings in trees in order to determine the climatic conditions under which they grew. Some trees, such as the Sequoia gigantica of northern California, which grow to heights in excess of 300 feet (91 metres) and live for 2,000 years or so, provide dendrologists with an accurate record of cli- matic changes and the trees' response to them. The period where the annual rings are more widely spaced are considered 'good years', because of the quantitative approach to analy- sis. If they are more closely set they represent the 'bad years', when life for the tree in ques- tion was supposedly more of a struggle. While such analyses may accurately record variations in ambient temperatures over a period of time, the assumption that a tree had to struggle for survival or not is generally incorrect. The true interpretation of the spac- ing of the annual rings is quite the opposite - where the spacing is larger the tree had greater difficulty in growing and where smaller the growth was healthy. This crucial factor, neglected in all contem- porary forestry, is best explained by demon- strating the difference between natural and light-induced growth in shade-demanding timbers. The photograph from Viktor Schau- berger's book, Our Senseless Toil (fig. 17.10), compares the girths of a plantation tree and two naturally grown trees. As can be seen, the separation between the annual rings in the light-induced growth is far larger than in the naturally grown timbers, in which these are barely perceptible. All three trees are roughly the same age, but substantially dif- ferent in quality. Because the initial growth of the naturally grown trees took place in very diffuse light under the protection of the mother-tree and in the proper soil conditions, the annual rings are very close together, the sap-ducts are vir- tually straight and the timber has what might be termed a 'resonant' quality. Incidentally this extremely fine-grained timber is the sort of timber that Stradivari used to make his famous violins. The actual timber that he used was mulberry wood that had fallen into streams in the southern Italian Alps. This wood had been transported in cold naturally flowing water and had lain in it for quite a considerable period. Its high quality confirms Viktor Schauberger's assertior that when materials are transported in natural streams or double-spiral pipes their quality can be significantly improved. Just lying in this energised water the quality of the timber was enhanced, which is why the Stradivari violins achieved their exceptional tone-colour

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